The photo shows Heidi Horten.
She is sitting in an armchair and pointing at a model of a building.
Heidi Horten is wearing dark clothing, large pieces of jewelry and blue glasses.
She smiles friendly into the camera.

Behind her hangs a large painting by Francis Bacon.
The picture shows a seated figure, painted in a very expressive and unusual way - typical of Bacon's style.

Next to Heidi Horten is a small table.
On it are catalogs from the Heidi Horten Collection.
At the top of the table is a white model of the museum building
and below it a catalog with the words “WOW!”. "WOW!" was the first exhibition of Heidi Horten's collection at the Leopold Museum.

Heidi Goëss-Horten © Ouriel Morgensztern

Photo: Ouriel Morgensztern © Heidi Horten Collection

“I am proud, with my collection and the construction of the museum, to have created something lasting, which future generations will also be able to experience when they visit my museum and take joy in the art that has given me such joy for so long.”

Heidi Goëss-Horten

The Collection

After the death of her first husband, Helmut Horten, in 1987, Heidi Goëss-Horten (1941-2022) began to build up an art collection of international standing with great sensitivity and passion. Over the last few decades, this has developed into an impressive collection of several hundred paintings, sculptures and prints. When building up her collection, it was always important to the collector not to be subject to any fashions. Heidi Goëss-Horten has always lived with the works, surrounding herself with them in her home. As a passionate collector, her personal relationship to and individual engagement with the works of art was important to her.

While individual works of German Expressionism, for example by Emil Nolde and Erich Heckel, or paintings of international modernism, including key works by Marc Chagall and Pablo Picasso, date back to the time of Heidi Horten's marriage to Helmut Horten, the clear focus of today's collection is on works acquired in the 1990s.

The scope of the collection had changed significantly as a result, with names that had not previously been represented, including Pierre-Auguste Renoir, Joan Miró, Max Pechstein, Carl Hofer, Pablo Picasso, Henri Matisse, Paul Klee, René Magritte, Fernand Léger, Niki de Saint Phalle, Egon Schiele, Lucio Fontana, Jean Dubuffet, Lucian Freud, Francis Bacon, Yves Klein and Georg Baselitz. Artists whose works are undoubtedly among the highlights of the collection today.

In later years, Heidi Goëss-Horten began acquiring important works by Andy Warhol and Roy Lichtenstein in order to create a focus on Pop Art within the collection. In the course of her collecting activities, Goëss-Horten increasingly devoted herself to the work of contemporary artists. As a result, groundbreaking works by Damien Hirst, Niki de Saint Phalle, Sigmar Polke and Gerhard Richter found their way into the collection early on. Moreover, the Heidi Horten Collection now comprises not only paintings and works of graphic art, but also a striking sculpture park that has grown impressively over the years and will be showcased at the museum.

The artwork shows a large, round picture. The colors run in many rays from the center outwards. You can see strong red, yellow, blue, green, pink, orange and white. The colors have been thrown across the surface through rapid rotation.

Today, the collection offers a profound overview of the development of 20th and 21st century art. Today, the Heidi Horten Collection unites the Who's Who of art history from the turn of the 19th to the 20th century, from classical modernism to contemporary art.

The Heidi Horten Collection Today

Today, with its main concentrations on the art of “Vienna 1900”, German and international Expressionism, Arte Povera, European postwar art and Pop art, the Heidi Horten Collection is a panoply of images with the scope of a museum. What began as a passion, now represents a foray into the art history of the last one hundred years. Surveying the collection, one can appreciate how particular areas of interest formed, how artists have influenced one another, and the revolutionary spirit inherent in the oeuvre of every single artist.

By founding a museum, Heidi Goëss-Horten is taking a step towards a cultural future for the collection that will influence the canon of public art history. She also joins the time-honoured ranks of collectors who, through their vision, have created places for public engagement with art. True to the character of a private collection, these are very personal spaces whose purpose is to foster fresh approaches to art for all interested visitors.

The painting shows the upper body and head of a person whose gender is not clearly defined.
The figure has blue-toned skin, bright red lips, and wears a yellow mask covering the eyes and nose.
They are dressed in a dark garment with an orange-lined neckline, and have dark, wavy hair partially covered by a colorful turban or headpiece.
The background is painted in green, with visible brushstrokes and scattered red highlights.
The brushwork is bold and expressive – typical of the Expressionist style.

The painting shows many colored areas and lines.
The main colors are green, red, yellow and blue.
The colors are applied on top of each other and are partially blurred or scratched.
Individual shapes look like stripes or brushstrokes.

The picture was painted by the artist Gerhard Richter.
It is an abstract painting, which means:
It does not show any recognizable objects or people,
but consists of colors and shapes.

The painting shows a woman lying on a mattress.
The woman's name is Henrietta Moraes. She is depicted half-naked.
Her body is painted distorted, with heavy brushstrokes and many shapes.

The mattress is oval and lies on a light pink floor.
The background is intensely red and completely flat - without any further details.

The painting is by Francis Bacon, who often works with strong colors, deformations and emotions.
It is dramatic, intense and full of tension.

In light of the discussion about Helmut Horten's build-up of assets and business in the context of “Aryanization” during the “Third Reich”, which has been smouldering since the 1970s and will intensify in 2023, the museum's management and the Collection team have recognized the moral necessity for the museum to critically examine this past and its relevance to the Collection's work as part of a historical responsibility.

Our Mission

The Heidi Horten Collection is a private museum in Vienna. Its purpose is to ensure the ongoing preservation and permanent presentation of the art collection of Heidi Goëss-Horten. The Heidi Horten Collection observes national and international ethical standards as it pursues its cultural and scholarly mission. Our mandate is to:

Heidi Horten Collection, photo: Rupert Steiner

Foto: Rupert Steiner, (c) Heidi Horten Collection

1 - EXHIBIT

The Heidi Horten Collection develops and organizes exhibitions in a variety of formats. The collection itself forms the cornerstone of all exhibition projects. Thus, Heidi Goëss-Horten's personal legacy is preserved through the Heidi Horten Collection. The exhibition program forms the institution's distinctive identity. Exhibitions are based on scholarly curatorial practice and design, and publications, lectures, discussion events, and other educational programs complement the exhibition activities.

2 - EDUCATE

The Heidi Horten Collection puts art education at the core of its mission. The modern and innovative work of art mediation, tailored to be audience-specific, addresses current artistic, scholarly, and social concerns. Emphasis is on equal participation, responses to contemporary issues, and the production of content relevant to the audience.

All art educators have a comprehensive understanding of art and cultural history and the ability to respond to the interests and needs of a diverse audience. They take a situational approach and consider themselves proactive partners in facilitating interactive communication. Their top priority is to be pen to the participants‘ expertise and to integrate that into their work in a respectful manner.

Both analog and digital programming target audiences with an interest in culture and other potential audiences. The museum's main objectives are to attract young people and to continue removing barriers for disadvantaged individuals. A studio and lecture hall are available for workshops and for other discursive, inclusive, and participatory formats. In addition, the museum aims to broaden its scope of action in the medium term to foster a direct dialogue with historically underserved groups by offering outreach services.

The Heidi Horten Collection will serve as a public place of encounter and personal enrichment – a place of well-being, critical inquiry, and active participation.

3 - COLLECT

The Heidi Horten Collection maintains, preserves, and exhibits the collection of Heidi Goëss-Horten. Originally, the collection was not meant for public display but to enrich the living environment of the collector’s private residence. The collection's core consists of artworks and objects that Heidi Goëss-Horten personally acquired. In this sense, the collection reflects the personal interests and preferences of the collector and represents, as the DNA of the museum, a piece of personal biography. The museum's mission is to augment and expand the core collection through international and contemporary acquisitions in the future.

4 - PRESERVE

The museum building housing the Heidi Horten Collection serves to preserve the collection of Heidi Goëss-Horten and facilitate its research. As a private foundation, the museum is entirely self-funded. To preserve the collection holdings, current museological, scientific, logistical, climatic, conservation, and restoration standards are maintained.

5 - RESEARCH

A team of scholars at the Heidi Horten Collection researches the holdings and resolves any issues that may arise. Positioning the collection within a scholarly context is a key endeavor of the institution, as is reflected in its exhibition program. In addition, provenance research is a significant area of interest, primarily as it relates to pre-1945 holdings but encompassing the entire collection. It requires networking with other national and international museums, universities, colleges, and research institutions such as archives and libraries to provide an objective perspective on the collection. The museum also includes an archive that houses records relevant to the collection and related proceedings. Finally, the Heidi Horten Collection disseminates its research results through publications and subject-specific media.

6 - DOCUMENT

The museum of the Heidi Horten Collection bears responsibility for the extensive collection and the preservation of these assets. The inventorying and cataloguing of holdings and acquisitions is governed by museum standards. A long-term goal is to make the collection accessible and enjoyable online, so that it may be accessed regardless of physical location. Part of the museum's international networking effort, it would also provide an additional dimension to the museum's educational outreach.