EXHIBITION
Experiment Expressionism
Schiele meets Nosferatu


Egon Schiele, Selbstporträt mit Pfauenweste, 1911 © Ernst Ploil, Wien
Albin Grau, Nosferatu, 1922 © Kantonsbibliothek Appenzell Ausserrhoden, CMO, Trogen (CH)
Anonym, Alexander Granach als Häusermakler Knock in "Nosferatu", 1922 © Kantonsbibliothek Appenzell Ausserrhoden, CMO, Trogen (CH)
Experiment Expressionism - Schiele meets Nosferatu is a comprehensive, cross-genre exhibition on Expressionism. Important works from the Heidi Horten Collection act as a starting point of the exhibition that is curated by Agnes Husslein-Arco, Rolf H. Johannsen and Roland Fischer-Briand. In particular works by the Expressionist painters Erich Heckel, Ernst Ludwig Kirchner, Emil Nolde and Max Pechstein, among others. These artists are shown in context with works by Austrian Expressionist painters like Herbert Boeckl, Helene Funke, Oskar Kokoschka, Max Oppenheimer, Egon Schiele, Helene von Taussig and others.






11.04.-31.08.2025
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In addition to visual arts, painting and sculpture, the exhibition also focuses on silent film - the new, if not leading medium of the time - which is illustrated in the exhibition with posters, film stills and excerpts from classics such as Das Cabinet des Dr. Caligari or Nosferatu – eine Symphonie des Grauens, but also films less familiar to the general public such as Orlac's Hände or Der müde Tod.
During the exhibition, the museum offers an evening program presenting silent films that will be shown for the first time in long version, accompanied by live music.
EXHIBITION
FOCUS FRANZ WEST



Franz West, Biennale Zyklus 1-9, 1990
Collage, mixed media, photographs, gouache and text on paper
Heidi Horten Collection
© Archiv Franz West, Estate Franz West
What can sculpture be today?
The exhibition Focus Franz West is a survey of the multifaceted work of Austrian artist Franz West, who challenged and playfully subverted traditional genre concepts. West’s creative universe is all-encompassing: his oeuvre includes drawings, collages, posters, videos, and, most notably, works dedicated to the principle of participation and an expanded concept of sculpture.
The centerpiece of the exhibition is a work that is a new addition to the collection: Franz West’s nine-part series of collages for the 1990 Biennale, which takes an ironic look at the dialogue between artwork and viewer. The series is a sequel to his earlier Passstücke (Adaptives), portable sculptures that function as a temporary extension of the human body and invite the recipient to interact with them.
September 6, 2024 to April 21, 2025
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Other works from the collection, including a Passstück and a work on paper, complement the presentation. The exhibition is further enhanced by works on loan from private collections. These works, including additional Passstücke and amorphous sculptures, demonstrate West’s innovative approach to pushing the boundaries between art and life.
The exhibition offers visitors a unique opportunity to discover and experience Franz West’s distinct and innovative approach to sculpture.


Exhibition view Focus Franz West
Photos: Ouriel Morgensztern/ Heidi Horten Collection
© Archiv Franz West, Estate Franz West